{"id":125311,"date":"2025-09-19T12:57:53","date_gmt":"2025-09-19T19:57:53","guid":{"rendered":"https:\/\/www.castingnetworks.com\/?post_type=news&#038;p=125311"},"modified":"2025-09-19T12:57:57","modified_gmt":"2025-09-19T19:57:57","slug":"tips-for-cutting-a-monologue-from-a-scene","status":"publish","type":"post","link":"https:\/\/www.castingnetworks.com\/news\/tips-for-cutting-a-monologue-from-a-scene\/","title":{"rendered":"Tips for Cutting a Monologue From a Scene"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Like it or not, monologues during the audition process are here to stay. They survived the increased use of cold reads and the advent of taped auditions, and they will likely remain in use in general auditions until the end of time. While they can feel awkward and out of context, the fact is they\u2019re a great way to quickly assess an actor\u2019s abilities, and an invaluable tool in acting classes.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Therefore, the ability to find a good audition monologue is a crucial skill to develop.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"#1\">Know What You\u2019re Looking For<\/a><\/li>\n\n\n\n<li><a href=\"#2\">The Real Monologue Lies in the Scenes<\/a><\/li>\n\n\n\n<li><a href=\"#3\">Start With Stage Plays<\/a><\/li>\n<\/ul>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p class=\"wp-block-paragraph\">\n    <div class=\"d-flex align-items-center justify-content-center px-lg-5 px-3 pt-1\" style=\"background-color: rgba(10,9,9,0);background-image: url(&#039;https:\/\/www.castingnetworks.com\/wp-content\/uploads\/2026\/02\/Mask-group.webp&#039;); background-size: cover; background-position: center;\">\n        <div class=\"banner-left col-4 col-lg-5\">\n            <h2 class=\"text-left\">Get access to thousands <br>of high-quality roles.<\/h2>\n        <\/div>\n        <div class=\"banner-center col-3 col-lg-3 text-center\">\n                            <picture>\n                                            <source srcset=\"https:\/\/www.castingnetworks.com\/wp-content\/uploads\/2026\/02\/PHONE-MOCK-2-mobile.webp\" media=\"(max-width: 768px)\">\n                                                                <img decoding=\"async\" src=\"https:\/\/www.castingnetworks.com\/wp-content\/uploads\/2026\/02\/Group-32.webp\" alt=\"Banner Image\" class=\"banner-image-mobile\">\n                                    <\/picture>\n                    <\/div>\n        <div class=\"banner-right col-5 col-lg-4 text-center\">\n                            <a id=\"banner-link\" href=\"https:\/\/app.castingnetworks.com\/login\/signup\/TALENT?_ga=2.43125222.2103773832.1721048373-1030609057.1713483804&#038;_gl=1*1vfcgsy*_gcl_au*MTk4MzczMDgyNy4xNzIxMzA4NzY4*_ga*MTAzMDYwOTA1Ny4xNzEzNDgzODA0*_ga_5V50WCP8LX*MTcyMTMyMTIwOS4zMDYuMS4xNzIxMzIxMjM5LjAuMC4zMTgwMTM3MQ..&#038;post_type=news&#038;p=135120&#038;preview=true\" class=\"btn-article btn-primary btn-dark text-white text-nowrap\" target=\"_blank\">\n                    JOIN FREE TODAY                <\/a>\n                    <\/div>\n    <\/div>\n<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><a name=\"1\">Know What You\u2019re Looking For<\/a><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">First, you have to know what you\u2019re looking for. What makes a good monologue? More specifically, what makes a good <em>audition<\/em> monologue? General wisdom is that an audition monologue should be active as opposed to narrative. Meaning rather than telling a story of a past event, directors and casting directors prefer to see the arc of your character as they try to affect someone, needing something from their invisible scene partner, and the tactics they use in pursuit of that need. While there are exceptions to every rule, this is generally a good place to start.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><a name=\"2\">The Real Monologue Lies in the Scenes<\/a><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">The thing is, when you\u2019re skimming through scripts and your eyes alight on a chunk of text that makes your brain go \u201cmonologue!\u201d, chances are that chunk is not the most active part of the script. The real meat usually lies in the scenes. It makes sense; when two characters are interacting, they\u2019re usually trying to get something from each other, which makes the dialogue more active. Instead of chunks of text, start looking for material that has a strong action (or objective).<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><a name=\"&gt;3\">Start With Stage Plays<\/a><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Stage plays are a great place to start. They generally have longer scenes, more dialogue and meatier text. Look for a scene where your chosen character has a strong perspective and an arc\u2013your cut monologue needs to have a strong beginning, middle and end.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Of course, sometimes material from a scene doesn\u2019t line up perfectly into a monologue. Once you\u2019ve cut the other character\u2019s lines and any redundant lines, you may still need to cheat a bit. Strive to keep the text as word-perfect as possible, but you may need to tweak it to provide context for the monologue. For example, moving a line up or down, swapping a \u201che\u201d or \u201cit\u201d for the implied object, is generally acceptable in an audition scenario if it preserves the meaning of the text. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Sometimes a line from slightly later in the scene offers a better button. Occasionally, you can paraphrase the character\u2019s line preceding the beginning of your cut to give context to the piece.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Be careful as you\u2019re cutting. The more you tweak it, the easier it is to end up with something that\u2019s overworked or clunky. Remember, the goal is to deliver a concise monologue with a strong action and varied levels. But beyond that, it\u2019s ok to get a little creative!<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Final Takeaways<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Monologues are a timeless part of auditions because they quickly reveal an actor\u2019s ability to pursue a clear objective. Finding and preparing the right monologue is a skill that will serve you well throughout your career. Here\u2019s how new actors can approach this essential task with confidence and clarity:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Choose monologues that are active and show your character trying to get something from an unseen partner rather than just telling a story.<\/li>\n\n\n\n<li>Look for material within scenes rather than isolated chunks of text that focus on strong objectives and emotional arcs.<\/li>\n\n\n\n<li>Start with stage plays, which often offer richer, longer scenes perfect for cutting into a compelling monologue.<\/li>\n\n\n\n<li>When cutting, keep the text as close to the original as possible, but don\u2019t hesitate to tweak lines for clarity or context if needed.<\/li>\n\n\n\n<li>Aim for a monologue that feels natural and varied in emotion, and avoid overworking it into something stiff or cluttered.<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Mastering these steps will help you deliver monologues that feel alive and purposeful, making a strong impression every time you audition.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>You may also like:<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/www.castingnetworks.com\/news\/5-ways-to-research-a-character\/\">5 Ways to Research a Character<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/www.castingnetworks.com\/news\/path-to-the-emmy-awards-amber-midthunder\/\" target=\"_blank\" rel=\"noopener\">Path to the Emmy Awards: Amber Midthunder<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/www.castingnetworks.com\/news\/success-story-john-adewumi-lee-jeans-getting-representation-casting-networks\/\" target=\"_blank\" rel=\"noopener\">Success Story: John Adewumi on Booking Lee Jeans and Getting Representation Through Casting Networks<\/a><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Like it or not, monologues during the audition process are here to stay. They survived the increased use of cold reads and the advent of taped auditions, and they will likely remain in use in general auditions until the end of time. While they can feel awkward and out of context, the fact is they\u2019re [&hellip;]<\/p>\n","protected":false},"author":53,"featured_media":125316,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"cn_email_teaser":"","footnotes":""},"categories":[727,722,726,720],"tags":[],"class_list":["post-125311","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-advice-filmmakers-creators","category-auditions","category-filmmakers-creators","category-your-career"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Tips for Cutting a Monologue From a Scene<\/title>\n<meta name=\"description\" content=\"Learn expert tips for selecting and cutting strong audition monologues from stage plays to make your performance stand out.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.castingnetworks.com\/news\/tips-for-cutting-a-monologue-from-a-scene\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Tips for Cutting a Monologue From a Scene\" \/>\n<meta property=\"og:description\" content=\"Learn expert tips for selecting and cutting strong audition monologues from stage plays to make your performance stand out.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.castingnetworks.com\/news\/tips-for-cutting-a-monologue-from-a-scene\/\" \/>\n<meta property=\"og:site_name\" content=\"Casting Networks\" \/>\n<meta property=\"article:published_time\" content=\"2025-09-19T19:57:53+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-09-19T19:57:57+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.castingnetworks.com\/wp-content\/uploads\/2023\/04\/shutterstock_1270981987.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1000\" \/>\n\t<meta property=\"og:image:height\" content=\"527\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Rachel Frawley\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Rachel Frawley\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":[\"Article\",\"BlogPosting\"],\"@id\":\"https:\\\/\\\/www.castingnetworks.com\\\/news\\\/tips-for-cutting-a-monologue-from-a-scene\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.castingnetworks.com\\\/news\\\/tips-for-cutting-a-monologue-from-a-scene\\\/\"},\"author\":{\"name\":\"Rachel Frawley\",\"@id\":\"https:\\\/\\\/www.castingnetworks.com\\\/#\\\/schema\\\/person\\\/aa1e3074374f9136e2563850112bb6b0\"},\"headline\":\"Tips for Cutting a Monologue From a Scene\",\"datePublished\":\"2025-09-19T19:57:53+00:00\",\"dateModified\":\"2025-09-19T19:57:57+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.castingnetworks.com\\\/news\\\/tips-for-cutting-a-monologue-from-a-scene\\\/\"},\"wordCount\":742,\"image\":{\"@id\":\"https:\\\/\\\/www.castingnetworks.com\\\/news\\\/tips-for-cutting-a-monologue-from-a-scene\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.castingnetworks.com\\\/wp-content\\\/uploads\\\/2023\\\/04\\\/shutterstock_1270981987.jpg\",\"articleSection\":[\"Advice\",\"Auditions\",\"Filmmakers &amp; 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An apprentice company graduate of the Atlanta Shakespeare Co., she has worked steadily in Atlanta's theatre scene, as well as indie film, TV, commercial and voice over. She has written for Casting Networks since 2013, and is currently workshopping her latest written work: The Mad Hatterpillar and Her Many Heads, a new puppet musical (Book and Lyrics by Rachel Frawley, recent runs at Out Front and Stage Door Theatre in Atlanta, three-time Suzi nominated). Rachel is SAFD certified in four weapons and counting. She\u2019s narrated over 40 audiobooks, and was a producer for the Weird Sisters Theatre Project (2017\/2018). She has taught and directed acting camps, classes and master classes for theatres and studios across Atlanta. She has worked as an intimacy professional, is certified in Mental Health First Aid and is a certified Artistic Mental Health Practitioner. 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